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  Paul Stone

Artists: (click artist name to view more...)

James Naughton

Angela Wakefield

Jeff Birkbeck

Colin Halliday

Margaret Francis

Rebecca Ann Wilmer

Paul Stone

Paula Velarde

Rob Miller

Moira Metcalfe

Simon Shorrock

Phil Harwood

Sarah Victoria Scott

Michelle Fielding

Sally Hollingworth

Jonny Rotherham

Edward Foster

Richard Clare

Katie Eveson

Anna Ashworth

 

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Paul Stone began painting while completing his first degree in Art History in 1997 and since then has painted alongside his many teaching jobs, including Painting Lecturer at Sheffield Hallam University. Since completing his Masters in Fine Art in 2007, Paul has focused his practice on traditional still life compositions, albeit with a fresh contemporary look.

Now enjoying a growing reputation in this genre - with addition commissions in portraiture - Paul last year won a handful of awards, including The Thoresby Gallery Award, as well as being invited to exhibit at The Mall Galleries in London and the Affordable Air Fair in Battersea. Currently he works full-time from his Stocksbridge based studio.

Paul Stone ‘Two Jars’

Paul Stone ‘Birthday Bowl’

Paul Stone ‘Still Life with Enoki Mushrooms’

Paul Stone
‘Two Jars’
Oil on canvas, 2008
24” x 20”
£1380

Paul Stone
‘Birthday Bowl’
Oil on canvas, 2009
9” x 9”
SOLD SOLD

Paul Stone
‘Still Life with Enoki Mushrooms’
Oil on canvas, 2009
22” x 13”
£940

Paul Stone - Still Life

Rebecca Wilmer, 'Nidderdale Walk No: 8'

 
Paul Stone
‘Five Lemons’
Oil on canvas, 2009
SOLD SOLD

Paul Stone
‘Dwarf Beans on White Cloth’
Oil on canvas, 2009
21” x 15” SOLD SOLD

 

“Originally my work had a very traditional approach to the process of creating artworks. Although this is still present, as the paintings (and thereby my practice as whole) have developed and matured, my previous research in History Of Art has over time organically breathed a fresh perspective into the artworks.

At the core of my paintings is the search for a precision of focus on the formal properties of mundane objects that have an everyday, unremarkable presence in our lives. As the majority of the inanimate objects are gathered from local charity shops, they also record a previous unknown transience moment when they are suddenly cast out for whatever reason. This results in a familiar and nostalgic content, and for me a more intimate relationship with their representation.

My studio is now littered with hundreds of these objects, all vying for attention within a composition often created by chance: a small shift to the side, a slight change in light, and suddenly a discarded low object has newly discovered strengths.”

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